All Exhibitions here

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All Exhibitions here

Hommage à Ra'anan Levy

09.09.2022 - 29.10.2022

Hommage à Ra'anan Levy

09.09.2022 - 29.10.2022

Hommage à Ra'anan Levy

09.09.2022 - 29.10.2022

ABOUT

 

From an early age, Ra’anan Levy’s obsession with capturing the traces left by man on everyday objects – nudes, self-portraits, hands, landscapes, still lifes, washbasins, empty spaces, manholes, mirrors – serves only as a pretext for questioning the transience of time or the mark of the human. These themes, which he treats with pastels, pencil, paint and etching, function like communicating vessels and concentric circles, increasing the degree of symbolic possession of a reality that often proves elusive.

With his painting in pure colors and vivid pigments, somewhere between Balthus, Hammershøi, Freud and Hopper, Ra’anan Levy presents a certain continuity with the great tradition of figurative painters, far removed from the formalist and conceptual debates of modernism. His deserted interiors reveal his solitude and his view of the world around him. Alone with himself, he attempts to make each of his paintings a living space. For creative space and living space are intimately linked in his work, which he constantly feeds with his highly subjective vision of the world around him. He observes places and people with extreme acuity. The result is a highly personal and expressive body of work, where each etching, each paper, each canvas is the result of an obsessive adventure marked by such a degree of commitment and passion that Ra’anan Levy ends up embodying himself in his painting.

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INSTALLATION VIEWS

EXHIBITED WORKS

Ra'anan Levy
Œil
2022

Tempera on canvas 35.5 x 30.5 cm
Ra'anan Levy
Lavabo
2007

Tempera on Arches paper Tempera sur papier Arches
Ra'anan Levy
Mains
circa 2013-14

Watercolor and tempera on paper 37 x 25 cm
Ra'anan Levy
Intérieur
2014

Oil on paper 23 x 30.7 cm
Ra'anan Levy
Éclat
2019

Tempera, ink and watercolor on paper 65.5 x 57 cm
Ra'anan Levy
Autoportrait
2010

Oil on paper 31 x 22.5 cm
Ra'anan Levy
Long terme
2013

Carcoal on canvas 198 x 168 cm
Ra'anan Levy
Angle glissant
2013

Oil and pastel on canvas 210 x 170 cm
Ra'anan Levy
Marteau sur l'oreiller II
2000

Pastel, pencil and charcoal on paper 80 x 110 cm
Ra'anan Levy
Veines
2011

Oil on canvas 170 x 160 cm

Ra'anan Levy

Œil

2022

Tempera on canvas

35.5 x 30.5 cm

Ra'anan Levy

Lavabo

2007

Tempera on Arches paper

Tempera sur papier Arches

Ra'anan Levy

Mains

circa 2013-14

Watercolor and tempera on paper

37 x 25 cm

Ra'anan Levy

Intérieur

2014

Oil on paper

23 x 30.7 cm

Ra'anan Levy

Éclat

2019

Tempera, ink and watercolor on paper

65.5 x 57 cm

Ra'anan Levy

Autoportrait

2010

Oil on paper

31 x 22.5 cm

Ra'anan Levy

Long terme

2013

Carcoal on canvas

198 x 168 cm

Ra'anan Levy

Angle glissant

2013

Oil and pastel on canvas

210 x 170 cm

Ra'anan Levy

Marteau sur l'oreiller II

2000

Pastel, pencil and charcoal on paper

80 x 110 cm

Ra'anan Levy

Veines

2011

Oil on canvas

170 x 160 cm

EXHIBITED ARTISTS

Vladimir YANKILEVSKY

Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvelEt ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel

Vladimir YANKILEVSKY

Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel

artiste image a la une

Ra'anan LEVY

After being released from his military obligations following the 1973 conflict, Ra’anan Levy left his family to study at the Academy of Fine Arts in Rome. He then moved to Florence to study at the Tovarelli brothers’ studio. Throughout his car ...

Ra'anan LEVY

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summer hanging 2022 a la une

Summer Hanging

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ABOUT

 

From an early age, Ra’anan Levy’s obsession with capturing the traces left by man on everyday objects – nudes, self-portraits, hands, landscapes, still lifes, washbasins, empty spaces, manholes, mirrors – serves only as a pretext for questioning the transience of time or the mark of the human. These themes, which he treats with pastels, pencil, paint and etching, function like communicating vessels and concentric circles, increasing the degree of symbolic possession of a reality that often proves elusive.

With his painting in pure colors and vivid pigments, somewhere between Balthus, Hammershøi, Freud and Hopper, Ra’anan Levy presents a certain continuity with the great tradition of figurative painters, far removed from the formalist and conceptual debates of modernism. His deserted interiors reveal his solitude and his view of the world around him. Alone with himself, he attempts to make each of his paintings a living space. For creative space and living space are intimately linked in his work, which he constantly feeds with his highly subjective vision of the world around him. He observes places and people with extreme acuity. The result is a highly personal and expressive body of work, where each etching, each paper, each canvas is the result of an obsessive adventure marked by such a degree of commitment and passion that Ra’anan Levy ends up embodying himself in his painting.

INSTALLATION VIEWS

EXHIBITED WORKS

Ra'anan Levy

2022

Œil

2022

Tempera on canvas

35.5 x 30.5 cm

Ra'anan Levy

2007

Lavabo

2007

Tempera on Arches paper

Tempera sur papier Arches

Ra'anan Levy

circa 2013-14

Mains

circa 2013-14

Watercolor and tempera on paper

37 x 25 cm

Ra'anan Levy

2014

Intérieur

2014

Oil on paper

23 x 30.7 cm

Ra'anan Levy

2019

Éclat

2019

Tempera, ink and watercolor on paper

65.5 x 57 cm

Ra'anan Levy

2010

Autoportrait

2010

Oil on paper

31 x 22.5 cm

Ra'anan Levy

2013

Long terme

2013

Carcoal on canvas

198 x 168 cm

Ra'anan Levy

2013

Angle glissant

2013

Oil and pastel on canvas

210 x 170 cm

Ra'anan Levy

2000

Marteau sur l'oreiller II

2000

Pastel, pencil and charcoal on paper

80 x 110 cm

Ra'anan Levy

2011

Veines

2011

Oil on canvas

170 x 160 cm

MULTIMEDIAS

EXHIBITED ARTISTS

Vladimir YANKILEVSKY

Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvelEt ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel

Vladimir YANKILEVSKY

Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel

artiste image a la une One post

Ra'anan LEVY

After being released from his military obligations following the 1973 conflict, Ra’anan Levy left his family to study at the Academy of Fine Arts in Rome. He then moved to Florence to study at the Tovarelli brothers’ studio. Throughout his career, he lives and works between Paris and Florence.

Very early on, Ra’anan Levy displayed an obsession with capturing the traces left by man on everyday objects, nudes, self-portraits, hands, landscapes,...

PUBLICATIONS

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TITRE DE L’ARTICLE

Dimensions, technique, date
35 €

E-SHOP

image de produit

TITRE DE L’ARTICLE

Dimensions, technique, date
35 €
image de produit
TITRE DE L’ARTICLE
Dimensions, technique, date
35 €
image de produit
TITRE DE L’ARTICLE
Dimensions, technique, date
35 €

SIMILAR EXHIBITIONS

lexistence est ailleurs a la une

Existence Is Elsewhere

Lire la suite
ra'anan levy a la une gravures

Ra'anan Levy - Engravings

Lire la suite
summer hanging 2022 a la une

Summer Hanging

Lire la suite

Michel Haas

Lire la suite

Judit Reigl, First Abstraction

Lire la suite
seraphine a la une

Séraphine

Lire la suite

Maillol, Free Form

Lire la suite
[Nom de l'exposition] a la une

Couturier - Richier: a sculptural Friendship

Lire la suite

Blue-Red-Yellow, the palette of the modern Primitives

Lire la suite
maillol heritage a la une

Maillol - Heritage

Lire la suite

MAILLOL , LA FORME LIBRE

21.03.2021 - 20.06.2021

À PROPOS

Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus.Rum fuga. Et ernam, que minvel Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus.Rum fuga. Et ernam, que minvel Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus.Rum fuga. Et ernam, que minvel Aped quas parum

SIMILAR EXHIBITIONS

lexistence est ailleurs a la une

Existence Is Elsewhere

Lire la suite
ra'anan levy a la une gravures

Ra'anan Levy - Engravings

Lire la suite
summer hanging 2022 a la une

Summer Hanging

Lire la suite

Michel Haas

Lire la suite

Judit Reigl, First Abstraction

Lire la suite
seraphine a la une

Séraphine

Lire la suite

Maillol, Free Form

Lire la suite
[Nom de l'exposition] a la une

Couturier - Richier: a sculptural Friendship

Lire la suite

Blue-Red-Yellow, the palette of the modern Primitives

Lire la suite
maillol heritage a la une

Maillol - Heritage

Lire la suite
Ra'anan Levy

2022
Ra'anan Levy

2007
Ra'anan Levy

circa 2013-14
Ra'anan Levy

2014
Ra'anan Levy

2019

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