Bronze
27 x 28 x 13.5 cm
Entrusted to art historian Valérie Da Costa, a specialist in modern and contemporary sculpture, the exhibition Maillol: Free Form shows how Maillol's work is part of a rethought history of sculpture of the XXth century. The exhibition highlights as many notions that were at the heart of the sculptor's thought and gesture: variations on a motif, differences and repetitions, geometry and fragments of form as a whole. The exhibition thus presents unpublished or rarely exhibited works: drawings, sculptures in terracotta and bronze, sketchbooks which reveal this sculptural modernity which irrigates Maillol's work and allows us to reread his work differently in the light of the challenges twentieth-century aesthetics. An exhibition catalog has been published by the gallery, with texts by Valérie da Costa and Thierry Dufrêne, professor of contemporary art history at the University of Nanterre.
La Montagne, 2ème état
1937
Bronze
27 x 28 x 13.5 cm
Léda
1900
Bronze with brown patina
Height: 29 cm
Académie pour Nijinsky
1911
Pencil on paper
36 x 24 cm
Femme à la colombe
1905
Bronze with brown patina
Height: 26 cm
Paysage
1898
Pencil on paper
20 x 28 cm
Torse de Méditerranée
1905
Bronze with ancient green patina
63.5 x 44 x 26 cm
Madame Maillol ou La Pensée
Terracotta
18 x 12 x 12.5 cm
Masque de femme
undated
Terracotta
13 x 12.5 x 5.5 cm
Femme nue ou Madame Maillol posant pour La Nuit
Watercolor and pencil on paper
30.8 x 23.5 cm
Torse de femme (fragment) ou Torse de femme à la colombe avec tête,
circa 1905
Terracotta
19.3 x 9 x 6 cm
Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvelEt ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel
Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel
Aristide Maillol was one of the most famous sculptors of his day. His work, based on ample forms developed from the female nude but simplified to the extreme of a pure outline, is silent and represents a true artistic revolution that would lead to ...
Entrusted to art historian Valérie Da Costa, a specialist in modern and contemporary sculpture, the exhibition Maillol: Free Form shows how Maillol's work is part of a rethought history of sculpture of the XXth century. The exhibition highlights as many notions that were at the heart of the sculptor's thought and gesture: variations on a motif, differences and repetitions, geometry and fragments of form as a whole. The exhibition thus presents unpublished or rarely exhibited works: drawings, sculptures in terracotta and bronze, sketchbooks which reveal this sculptural modernity which irrigates Maillol's work and allows us to reread his work differently in the light of the challenges twentieth-century aesthetics. An exhibition catalog has been published by the gallery, with texts by Valérie da Costa and Thierry Dufrêne, professor of contemporary art history at the University of Nanterre.
1937
La Montagne, 2ème état
1937
Bronze
27 x 28 x 13.5 cm
1900
Léda
1900
Bronze with brown patina
Height: 29 cm
1911
Académie pour Nijinsky
1911
Pencil on paper
36 x 24 cm
1905
Femme à la colombe
1905
Bronze with brown patina
Height: 26 cm
1898
Paysage
1898
Pencil on paper
20 x 28 cm
1905
Torse de Méditerranée
1905
Bronze with ancient green patina
63.5 x 44 x 26 cm
Madame Maillol ou La Pensée
Terracotta
18 x 12 x 12.5 cm
undated
Masque de femme
undated
Terracotta
13 x 12.5 x 5.5 cm
Femme nue ou Madame Maillol posant pour La Nuit
Watercolor and pencil on paper
30.8 x 23.5 cm
circa 1905
Torse de femme (fragment) ou Torse de femme à la colombe avec tête,
circa 1905
Terracotta
19.3 x 9 x 6 cm
Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvelEt ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel
Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel
Aristide Maillol was one of the most famous sculptors of his day. His work, based on ample forms developed from the female nude but simplified to the extreme of a pure outline, is silent and represents a true artistic revolution that would lead to the emergence of abstraction. Maillol’s artistic creation represents a turning point between the 19th and 20th century and influenced a significant number of artists including Henry...
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Galerie Dina Vierny
36 rue Jacob 75006 Paris
Open from Tuesday to Saturday from 10 a.m. to 7 p.m.
Galerie Dina Vierny
36 rue Jacob 75006 Paris
Open from Tuesday to Saturday from 10 a.m. to 7 p.m.
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